Tampilkan postingan dengan label adaptation. Tampilkan semua postingan
Tampilkan postingan dengan label adaptation. Tampilkan semua postingan

Rabu, 20 Agustus 2014

The Giver Movie Preview

The Giver Movie Preview (2014)


Starring: Brenton Thwaites, Jeff Bridges, Meryl Streep, Alexander Skarsgard, Katie Holmes, Odeya Rush, Cameron Monaghan, Taylor Swift

There’s a great scene toward the end of The Giver where Oscar winners Meryl Streep and Jeff Bridges get to have a bit of a verbal sparring match. I would have loved to have been an extra in that scene. It’s one of the more exciting scenes in the film, yet it comes far too late. Their community has become a vast, colorless world void of any feeling and emotion. Everything the citizens once knew has been erased from their memories.  There is strict order and rules set in place for everyone to abide by.  Jonas (Thwaites) and his friends Fiona (Rush) and Asher (Monaghan) are at that age where they attend the Ceremony of Growth to receive their official assignment which is part of being a member of the community. The roles are handed out by Chief Elder (Streep), who rules the community with a strict presence. Jonas is passed over and saved for last causing an alert and low rumble amongst the crowd.


Chief Elder reveals to him that he is strong in all of the attributes and therefore is given the task of being the Receiver of Memory. It is a prestigious task that comes with great danger. He is sent to The Giver (Bridges) who lives at the very edge of the community before it disappears into the area known as Elsewhere. They link arm to arm, and Jonas proceeds to learn more and more about the community’s past. When the various memories come into focus, he becomes more distraught over the present state of society. He starts to distrust his Mother (Holmes) and Father (Skarsgard) and those around him. He decides to risk everything by going where no one has succeeded before him in an attempt to restore society back to its original way of life.


The Giver is based on the award winning children’s book by Lois Lawry from 1993. I think I read it when it came out but haven’t picked it up since then. I would like to think this helped me go in with a bit more of an open mind, but it also led to more questions I have with the material and what changes were made with this adaptation. Jeff Bridges is one of the producers of the film and has wanted to get the film made for years hopping from one studio to the next. I can understand why it was now released in the wake of the success of The Hunger Games and Divergent which have similar ideas and themes. The problem is that director Phillip Noyce and beginner screenwriters Michael Mitnick and Robert B. Weide don’t have anything new and interesting to add to this story to make it stand out from those other books that actually came after this one.


The script is quite bland that leaves little for these actors to play around with in terms of their characters. Bridges and Streep fare the best and it should come without surprise that they are the highlights of the movie. As the title character, Bridges has that gruff and mysterious vibe to him that left me wondering what his true motives were with Jonas. There was a bit of mystery that surrounded him where I felt a little on edge with his scenes. With her long grey wig, Streep plays another ice queen with Chief Elder. She’s Goddess Meryl Streep so, of course, she is going to be great with this type of character where she can be menacing and evil without having to really raise her voice or scream. We’ve seen her play this type of character before, and I’ll watch her in anything.


The rest of the cast is an odd mixed bag. As Jonas, Brenton Thwaites is a fresh up-and-coming actor who we previously saw this summer in Maleficent as Prince Phillip. He has a nice boy next door appeal about him. He’s fairly young and will need to take better and more challenging roles as he grows up if he wants to be a stronger leading guy type. Katie Holmes and Alexander Skarsgard play his parents in the film. Don’t let the age difference throw you off as they are not intended to be biological parents. I must admit to having a soft spot for Holmes, but she comes off a bit monotone here. Maybe she was remembering her time of being hypnotized under the Scientology spell and applied that here as a character trait. Lastly, singer Taylor Swift has a very brief role as The Giver’s daughter. It is such a bizarre casting move that I can only assume it was because they wanted another big name to draw people into the movie. I mean, come on. When did we ever think that Taylor Swift and Meryl Streep would ever be in the same movie?


The use of color plays an important part of the world in The Giver. It begins with the black and white of the community and color starts to materialize with Jonas’ awakening. I was reminded of the beautiful Pleasantville which I need to revisit. I think the color shifting was better used in that movie. Even though there is a strict sameness to all of the houses, bikes, and the entire look of the community, there is a distinct look and shape to it without it feeling too drab or boring. The whole art direction and design elements were impressive enough to take some focus off the oddly structured script and bizarre acting. For a ninety minute movie, it felt fairly long with its slow pacing. So much of the backstory is quickly told at the beginning and then it drags out until the finally thirty minutes once Jonas sets his plan into action. Only then does it start to get interesting and pick up in tempo. The broader picture and message of Lois Lawry’s story really comes out in this part, but it takes so long to get there. Without giving too much away, I actually wanted more of an ending. I wanted more of a wrap up and a “what next”. Maybe I’m so used to these types of stories being dragged out into multiple books that I wanted a final scene or two after the resolution. This may be directly how the book ends so I shouldn’t fault the screenwriters if this is indeed a direct match to the source material.

This is one of those movies where you come out perplexed as it has some good things going for it that make the movie enjoyable like Meryl and Jeff, the design elements, and a thrilling final thirty minutes. Then you think about its clunky structure and pacing, odd casting choices, and the whole idea that we have seen that kind of movie before, and it leaves you second guessing on if it’s worth your trip to the movies. In this case, I think more people will enjoy it then not.
Director: Phillip Noyce

Is It Worth Your Trip to the Movies? It's worth seeing on the big screen at matinee prices, but know that it comes with some major flaws.

RATING: 3 out of 5 TICKET STUBS



Watch full movie online.

Kamis, 24 Juli 2014

Movie Trailer: FIFTY SHADES OF GREY

FIFTY SHADES OF GREY (2015)


Starring: Jamie Dornan, Dakota Johnson, Jennifer Ehle, Marcia Gay Harden, Rita Ora, Luke Grimes, Max Martini

http://upload.wikimedia.org/wikipedia/en/b/bb/Fifty_Shades_Darker_book_cover.jpg
I'm pretty sure that if you have never heard of the book Fifty Shades of Grey, you are probably living under a rock. Maybe that's harsh, but that little book known as "mommy porn" became an international bestseller and was talked about to death. It was only time before they rushed the movie version into production. Jamie Dornan and Dakota Johnson (Don and Melanie's daughter) were cast as Christian Grey and Anastasia Steele, respectively. The first trailer was released today on The Today Show, and I have to admit, it looks better than I had anticipated. I haven't read the book yet, so you will have to fill me in. Is this perfect casting? Will it be as "steamy" as the book? Feel free to sound off below!




Selasa, 03 September 2013

THE SPECTACULAR NOW Movie Review

THE SPECTACULAR NOW

Starring: Miles Teller, Shailene Woodley, Jennifer Jason Leigh, Kyle Chandler, Mary Elizabeth Winstead, Brie Larson


I am a sucker for these types of "coming of age" or "growing into adulthood" type movies especially when they actually feature smart characters going through realistic situations. It is that time in your life when you are a senior in high school and you need to come to terms with what your next path in the life will be after you graduate. Sutter Keely (Teller) faces that exact problem as he starts to fill out those infamous college applications. I think we have all had to think about some experience that had a profound affect on our lives and talk about how we overcame such trouble. He starts writing about his recent break-up with the love of his life, Cassidy (Larson). A profanity laced response about a break-up is probably not the best response to a college entrance essay.

Sutter lives in the "now". He is always the life of the party with a big cocktail in his hand. Unfortunately, he typically has one too many cocktais on a reoccuring basis. On one occasion he decides to drive home but plows into the mailbox when he reaches home. After another all-nighter, he is awoken by Aimee Finecky (Woodley) after passing out in the middle of someone's yard. She has more of an innocent nature about her than Sutter does. She has never had a boyfriend, has ambitions for her future, and delivers the daily newspaper to her neighbors even though that is her mom's job. An ease and comfortable report naturally occurs between them in their first enoounter. A romantic adventure follows as these two opposites attract. Sutter is quick to point out that Aimee is "not a rebound."

One of the many reasons why this movie works so well and sets it apart from others in this genre is the very realistic approach and feel it has to telling this story. You will hear about this in almost all of the reviews you read. Director James Ponsoldt executes this natural feeling across the board. You will see very little make-up on Shailene Woodley or Miles Teller. Teller has minor scars on his face and a burn mark on his body. How often do ever see those in a movie unless they are intentional? Normally a decent make-up job would cover them up. He even filmed the movie in his hometown of Athens, Georgia. He wanted it to have that suburban, smaller town feel. Even the sex scene has the awkward feel to it like it would it real life.

I pretty sure that anytime Kyle Chandler pops up in a movie it elevates the movie even more. Even if the movie is already great or he has a bit part, the movie is even better after he graces the screen. Chandler grows some scruff and shaggy hair to play the deadbeat dad to Miles Teller's character. He does not have a lot of screen time, but it is a far different character for him than say Coach Taylor on "Friday Night Lights". I cannot forget to mention that the fantastic Jennifer Jason Leigh plays Sutter's mom. Shailene Woodley and Miles Teller shine with every moment they are on-screen. You will recognize her from The Descendants and him from the Footloose remake and Rabbit Hole. There is such an easy flow and natural chemistry between the two of them. The dialogue and sparks seemed to flow so effortlessly I often wonder how much of it was improvised between them or if they stuck pretty closely to the script. I look forward to their future projects. Woodley has quite a bit on her plate right now, and both of them will be appearing in this spring's Divergent.

When I was a teen, I had movies like American Pie, 10 Things I Hate About You, She's All That, and Varsity Blues as the teen movies of my generation. I really enjoyed three of those movies, but they were never like the high school kids and experiences I knew. The Spectacular Now reminds me of last year's The Perks of Being a Wallflower, which I absolutely loved and adored. Maybe we are reaching a new era of the teen/coming of age/growing into adulthood type movies. Movies with characters that resemble people from your own life. These stories are not centered around the dopey football players, bimbo prom queens, or mean girls nor is it set in some rich California high school. This is one of this little gems of the summer than can easily get overlooked by far too many stupid blockbusters that can clutter up the theaters. Lucky for us, it has fought it's way through and has had a lasting impression on its audience. Director: James Ponsoldt